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For American non-travelers, it was the first exposure to musical idioms such as music produced by a gamelan; in 1977, a few of the recordings were chosen for the Voyager Golden Record, and sent into outer space aboard the Voyager spacecraft.

In 2008, one of the first Explorer Series albums, Music from the Morning of the World (1967), comprising early field recordings that the British musicologist David Lewiston had made in Bali in 1966, was added to the National Recording Registry by the Library of Congress.

Among more recent Nonesuch signings, the most commercially successful has been The Black Keys, the former Akron, Ohio-based duo who parlayed cult status as no-frills blues rockers into an arena-sized following and received multiple Grammy Awards for their 2010 album Brothers and their 2012 release El Camino.

Forward-thinking traditional groups Carolina Chocolate Drops and Punch Brothers also joined the label, as well as iconoclastic folk interpreter Sam Amidon, the Chocolate Drops, a group exploring the African-American roots of old-time music, won a Grammy Award for Best Traditional Folk Album for its Nonesuch debut, Genuine Negro Jig.

Among other Nonesuch movie soundtrack offerings are Jon Brion’s score for Anderson’s 2002 film Punch-Drunk Love, Stephin Merritt’s songs for Pieces of April (2003), Thomas Newman’s score for the HBO mini-series Angels in America (2007), and Carter Burwell’s score for the Coen brothers’ True Grit (2010).

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Kronos went on to collaborate with British composer Clint Mansell on his scores for the Darren Aronofsky films Requiem for a Dream (2000), The Fountain (2006), and Noah (2014); the Requiem soundtrack included the piece "Lux Aeterna," which subsequently became a popular track for use in movie trailers and commercials.

In 1994, Hurwitz hired David Bither, the Senior Vice President and General Manager of Elektra Records, to head the international department at Nonesuch Records, but Bither quickly showed a far greater interest and talent in A&R and, soon after coming to the label, made a number of important signings that expanded the company's musical landscape while holding to the same ideals that had been long established from the company's earliest days.

Bither's first signing, Emmylou Harris, signaled a new direction for the label. Records and Elektra Records, whose 2000 album Red Dirt Girl garnered a Grammy Award for Best Contemporary Folk Album.

Originally the label concentrated heavily on chamber and baroque music, often with (then) unique repertory, and typically sold at less-than-premium prices.

Upon its formation, Nonesuch operated as a subsidiary label of Elektra Records, which Holzman had launched in 1950; in 1970, Holzman sold Elektra and Nonesuch to Kinney National Company, which became Warner Communications and later part of Time Warner's Warner Music Group.

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